June 2009

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The Chicago Reader tweeted a link to the Munsell Hue Test today. The test judges how well you are able to tell the difference between subtle hue changes. Its a lot harder than you would think.

Here’s how I did. I must admit I thought I would have done better.

Based on your information, below is how your score compares to those of others with similar demographic information.
* Your score: 55
* Gender: Female
* Age range: 20-29
* Best score for your gender and age range: 0
* Highest score for your gender and age range: 1520

Based on your information, below is how your score compares to those of others with similar demographic information.

* Your score: 55

* Gender: Female

* Age range: 20-29

* Best score for your gender and age range: 0

* Highest score for your gender and age range: 1520

Try it out for yourself.

Meg

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If you’re wondering why it seems quieter in the Service Bureau these days, and why we’re not yelling at you as much, it’s because Operations just removed this thing from the ductwork above us:

Loud thing

Loud thing

Yes…we know…this has nothing to with printing or output, but here at the service bureau we are slightly obsessed with the future of technology.

Kevin Warwick is a british scientist working on advancing the human condition though human/technological interfaces…i.e. he is slowly turning himself into a cyborg.

Watch this video. He describes the changes he has made to his body.

[youtube=http://www.youtube.com/watch?v=RB_l7SY_ngI]

There are many well respected scientists who believe this is the next logical step in human evolution.

Perhaps in the future you will simply think your image and transmit it via neural interface directly into the service bureau databank…

It could happen.

Michael

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Rex Ray, Discolaria, 2009

This past week I was on vacation in Denver. I had a chance to check out the MCA Denver which is the only contemporary art museum in the city. The two main shows were Anthony Goicolea and Damien Hirst. In the Promenade Space, Cydney Payton curated a new installation by Rex Ray. Ray’s installation consisted a large painting/collage and a wallpaper. The painting is a mix of collaged images/prints, oil and acrylic paints on linen. When looking at the piece I thought about all of the possibilities one has when working with prints. They do not have to remain as traditional prints. They can become wallpaper or integrate themselves into paintings.  This piece ended up taking up the entire wall which was about 50 feet long. Our widest roll of inkjet paper is 60″x 100′. So if you are thinking about it it is possible to go big.

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Wallpaper detail

via the MCA Denver
“For Rex Ray, the joy of making and viewing art is his continuing motivation. Drawing inspiration from his acknowledged influences—the Arts and Crafts Movement, Abstract Expressionism, organic and hard-edged abstraction, pattern and textile design, and Op Art—Ray playfully combines these formalist concepts with decorators’ tips gleaned from lowbrow publications and sources of popular culture in his pursuit to create beautiful things. Gracefully bridging the gap between fine and applied art, he distinguishes himself in each realm.

As a fine artist, Rex Ray works in a wide range of media, including painting, collage, print works, and photography. His collages grew out of the simple pleasure of cutting shapes from magazine pages, assembling and gluing them to paper to create visually pleasing works that have since developed into sophisticated resin-covered panels. In his large-scale canvas paintings, like the one on view at MCA DENVER, he conceives abstracted landscapes from biomorphic shapes and distinct color combinations as a fresh adaptation of an aesthetic that sympathizes with twentieth-century Modernism.”

For more information on Rex Ray’s work please visit his website.
For more information on the MCA Denver please visit their website.

Meg

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Today we would like to highlight the work of recent SAIC MFA photo recipient Aspen Mayes.

Aspen uses uses our Epson 11880 on luster paper for it’s ability to print fine detail and its amazing wide color gamut (meaning the amount of colors it can actually recreate)

AspenMays_firefliesHugeFINAL

read what whitewall magazine had to say about her image Untitled (Fireflies inside the body of camera, 8:37-8:39PM, June 26, 2008) printed at the Service Bureau.

-Aspen Mays, in her photo, Untitled (Fireflies inside the body of camera, 8:37-8:39PM, June 26, 2008), takes the use of light to an innovative and dynamic level. As the title indicates, Mays uses the fireflies as a light source, an experiment that creates a gradient-like image, which are both a reference and a challenge to photography’s formal elements. The final image is not the result of the artist looking through her lens, composing a frame or arranging a vantage point. In short, Mays is not “seeing” or employing any directional forces. This uncontrolled and unplanned image relies solely on the chemistry between the unexposed film and the fireflies

The Epson 11880 is one of the only fine-art archival inkjet printers capable of reproducing the intensity of color and detailed color shifts in the image.

Go see it for yourself at Golden Gallery on June 19th.

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While recently browsing Adobe’s amazing Video Workshop page, I stumbled across this tutorial for Acrobat’s Preflight functions. Preflight is a batch processor that you can use to run all sorts of checks and fixes relating to color space, resolution, layering and many other aspects of PDF files. Just like Acrobat, Preflight profiles are cross-platform.

I ran some tests with big PDF’s containing lots of high-res raster images on our Océ TCS500 and TDS320 large-format printers, and was able to cut print times way down, almost 5x in some cases. Our printers are geared for speed as opposed to quality, so sending high-res images doesn’t yield much effect other than increasing the time it takes to print–we can usually get the same quality from 100ppi as from 300.

Acrobat also gives you the option of creating a Preflight Droplet, a little application you can drag & drop your PDF’s onto for processing. This makes it really easy to process PDF’s automatically.

Here’s the Preflight profile I recommend for our Océ printers, and instructions on how to install it.

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The CandyFab 6000

Last week on Boing Boing, Cory Doctrow posted about Evil Mad Scientists Lab’s latest version of their 3D printer, The CandyFab 6000. The printer is sugar-based and looks like it would be a good addition over in the Advanced Output Center.

via Evil Mad Scientists Lab

“It’s a brand new CandyFab– still in beta. A clean break, designed from the ground up with almost no parts in common with the original, the CandyFab 4000. All new mechanics. All new electronics. All new software. Smaller but still big: the build volume is more than 10 liters, but it’s now small enough to fit on a desktop… The new modular electronics control platform is called Zuccherino– that’s italian for “Sugar cube.” One Arduino-compatible circuit board per axis. (Our prototype above shows X,Y,Z, Heat, and Air axes, plus a master board.)

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Sort of looks like a Candy version of the Death Star.

It’s an expandable system for all kinds of motion control projects, and we’ll be making kit versions of all of the Zuccherino boards later this summer. We’ve also got new cross platform control software — called CandyFabulous underway, and it’s looking sweet.”

While your on their site check out the new Candy Fab wiki.

Meg

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We recently purchased a button maker for the Service Bureau. I should admit that I have been making my fair share of buttons as of late. Who knew so many things looked so good in 1” form.To celebrate this new technology the Service Bureau will be offering one free button during the summer semester, with every order you place. Please the bring the image you wish to be made into a button, sized and printed to 1” in diameter. The button will be ready for pick up with your order.

If you would like more information and pricing, please stop by the Service Bureau and speak with one of our friendly staff. Make sure to pick up a SAIC or Axis of Output button while you’re there.

Meg

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Of course we do. Why wouldn’t we?

What’s it for? Who knows.

You can follow us @saicbureau or http://twitter.com/saicbureau …who knows. Maybe something good will happen.

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