Articles by Stephanie Janisch

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The internet has been buzzing over Amanda Palmer’s TED Talk  this past February about the art of asking in which she highlights her early days as a street performer. But the talk I am most anticipating is by Liu Bolin in which, over the course of his presentation, he is painted into the background of the stage. The time-lapse is fascinating:

Liu Bolin timelapse at TED2013 from TED Blog on Vimeo.

I can’t even see him in the final image!

Bolin’s response to what an artist’s work stands for during an interview with Thu-Huong Ha for the TED Blog was particularly interesting:

“There’s a difference between Chinese artwork and foreign artwork. As a Chinese artist, I ask a lot of questions about society in my work. When I am abroad, though — for example when I went to the Louvre — because I’m usually overwhelmed by my artwork, I have to make art as a souvenir. The TED piece is more of the latter, a form of memory or a souvenir. This year I have a new plan. I think the TED stage will be the highlight of my new series, Happy New City. In the future I will create new kinds of art. My talk was as a summary to conclude what I’ve done before.”

I am interested to see the presentation and what Liu Bolin does next.

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One the most fascinating things about people is our capacity to change and adapt. This is true on both fundamental and theoretical levels; time changes us all. Things that are important now, may be inconsequential in a year’s time. I Used to Be a Design Student: 50 Graphic Designers Then and Now by Billy Kiosoglou and Philippin Frank explores this element of change through the lens of graphic design by comparing the lifestyles of 50 graphic designers from their college years to now.

Comprised of interviews, work samples and comparative diagrams, the book illustrates the idiosyncrasies between college life and professional life. The work samples compare pieces from the designer’s time in college and current work, and each interview offers up a piece of advice and a warning.

I particularly like Richard Walker’s advice:

“Always finish your work”

and warning:

“Don’t feel obliged to have an opinion on everything. If you don’t know, say you don’t know.”

From the publisher:

“This book offers a rare chance to read what graphic designers feel about their education and profession. Fifty influential designers give the low-down about their student days and their professional lives. A piece of their college work is shown alongside an example of current work. Each designer also offers a key piece of advice and a warning, making this a must-read for anyone embarking on a career in design.

The book looks at the process a designer goes through in finding their ‘voice’. Topics addressed include how ideas are researched and developed; design and other cultural influences, then and now; positive and negative aspects of working as a designer; motivations for becoming a designer; and whether it’s really possible to teach design.”

UPDATE: The book is now available for checkout at the Flaxman Library.

(via Brain Pickings)

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In 2012, fours years since Polaroid discontinued instant film, the idea of the instant film camera has become a mere memory if not a novelty. Photographic film itself largely lives on in through the frame stylings and filters of Instagram and Hipstomatic. And while film in general has become more of an after thought, the book Instant: The Story of Polaroid by Christopher Bonanos seems like an interesting insight into the rise and fall of instant film photography and Polaroid as a company.

From the Author:

INSTANT: THE STORY OF POLAROID is a book about a very unusual company. In the 1960s and 1970s, Polaroid was what Apple is today: the coolest technology company on earth, the one with irresistible products, the one whose stock kept climbing way past the point of logic. In its heyday, Polaroid was an absolute innovation machine—a scientific think tank that periodically kicked out a fantastically profitable, covetable product. In fact, the late Steve Jobs expressly said that he modeled his company to a great extent after Polaroid…

…INSTANT is a business story, about what happens when a company loses its innovative spark. It is a fine-arts story, showcasing the amazing things people did with Polaroid film. It is a technology story, of a company that created and maintained a niche all its own for 60 years. And it is a pop-culture history, of a friendly product that millions of people absolutely adored. I like to think that it also tells a larger story, about the rise and fall of American invention and manufacturing.”

No time to read the book? Catch the highlights in this 4 minute trailer about it:

(via Brain Pickings)

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We will be losing three of our star student workers this year. :(

Thanks for all the hard work Evan, Mona, and Neda. You guys have been great!

On a lighter note, we’re hiring:

We are also switching to summer hours on Monday:


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Grab a sticker!

Want to make stickers too? Download our sticker template:

crit.artic.edu/servicebureau/templates

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What a great exercise in understanding the way type transforms. Tien-Min Liao must have put in a lot of time and had a lot of patience to get such well formed letters.

(via Behance)

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(via Swiss Miss)

Have an awesome spring break, SAIC!

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…to make ORIGAMI! All of our sale papers are 50% off.

I particularly like:

and if you want to get nerdy with it:

My version of the flapping bird on our pink sale paper:

Also, his voice is so soothing. In a Bob Ross sort of way. And sometimes there is soft piano in the background.

(via SwissMiss)

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Have you seen this? Erik Johansson makes it look so easy:

(via DPS)

“All the tools are out there; the only thing that limits us is our imagination.”

(A bit cheesy, I know)

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Finding a good, usable typeface is hard work. I always feel bad using an unlicensed font or one I downloaded for free. Someone worked really hard on that typeface; they should be recognized and compensated for it. Also, I hate it when you find a font you like but can’t embed it (we see this all the time at the SB). On the flip side, I am also pretty stingy, so paying top dollar for a typeface I’ll use maybe once or twice isn’t really an option.

Enter The Lost Type Co-op. Created by designers Tyler Galpin and Riley Cran.

From The Lost Type Co-op website:

“…originally [created] in a whirlwind 24 hour adventure to distribute a single typeface, Lost Type has blossomed into a full fledged foundry, distributing fonts from designers all over the world, with its unique model. Users have the opportunity to pay whatever they like for a font, you can even type in ‘$0′ for a free download. 100% of funds from these sales go directly to the designers of the fonts, respectively.”

So download some sweet fonts. Chip in what you can. Everyone wins.


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