Posted by | Paris Jomadiao | Posted on | February 20, 2017
Since the early 1960s, Nathaniel Dorsky has been making extraordinarily beautiful films that blend a reverence for the sensual world with a deep contemplation of the mysteries beyond. They are “occasions for reflection and meditation on light, landscape, time, and the motions of consciousness,” writes curator Steve Polta. Dorsky’s “photography emphasizes the elemental frisson between solidity and luminosity…while his uniquely developed montage permits a fluid and flowing experience of time.” In this rare Chicago appearance, Dorsky presents four recent films, Summer (2013), Intimations (2015), Autumn (2016), and The Dreamer (2016), each suffused with grace, joy, and mourning for changing seasons and times.
2013-16, USA, 16mm, ca 90 min + discussion
Nathaniel Dorsky in person
Nathaniel Dorsky (b. New York City) is an experimental filmmaker and film editor who has been making films since 1963. His 2003 book Devotional Cinema explores the relation between cinema and the unknowable. Dorsky is the recipient of many awards including a Guggenheim Fellowship, grants from the National Endowment of the Arts, the Rockefeller Foundation, the LEF Foundation, the Foundation for Contemporary Arts, and the California Arts Council. His work has been included for exhibition in the Whitney Museum, New York; MoMA, New York; the Centre Pompidou, Paris; the Tate Modern, London; the Filmoteca Española, Madrid; the Prague Film Archive; the Vienna Film Museum; the Pacific Film Archive, San Francisco; the Harvard Film Archive, Cambridge; and the New York Film Festival. Dorsky has lived in San Francisco since 1971.