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	<title>Conversations at the Edge (CATE)</title>
	<link>http://blogs.saic.edu/cate</link>
	<description>Conversations at the Edge (CATE)</description>
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		<title>George Kuchar: HotSpell</title>
		<description><![CDATA[Thursday, February 23, 6:00 p.m. &#124; Introduced by Abina Manning, Executive Director of the Video Data Bank George Kuchar, HotSpell (2011). Courtesy the Video Data Bank. “Desire and death are in the air, along with some aromatic wisps of ethnic edibles, so be sure to sniff it all.” —George Kuchar George Kuchar became a legend [...]]]></description>
		<link>http://blogs.saic.edu/cate/george-kuchar-hotspell/</link>
			</item>
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		<title>Radical Light: Alternative Film and Video in the San Francisco Bay Area /// New Prints/New Preservation</title>
		<description><![CDATA[February 16, 6:00 p.m. &#124; Introduced by Steve Anker, curator and Dean of the School of Film/Video at CalArts Image from Peggy and Fred in Hell: The Prologue (Leslie Thornton, 1984). Courtesy the Pacific Film Archive Library. Since the 1940s, San Francisco has been both a haven and inspiration for an influential constellation of moving [...]]]></description>
		<link>http://blogs.saic.edu/cate/radical-light-alternative-film-and-video-in-the-san-francisco-bay-area-new-prints-new-preservation/</link>
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		<title>We Began By Measuring Distance</title>
		<description><![CDATA[Thursday, February 9, 6:00 p.m. &#124; Basma Alsharif in person! Introduced by Tirtza Even! Basma al-Sharif, We Began By Measuring Distance (2009). Courtesy the artist. We Began By Measuring Distance reflects on intrinsic and imposed distances—physical, logistical, and psychological—represented in works by women filmmakers from or connected to Palestine, including Jumana Emil Abboud, Basma Alsharif, [...]]]></description>
		<link>http://blogs.saic.edu/cate/we-began-by-measuring-distance/</link>
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		<title>CATE Starts Feb 9</title>
		<description><![CDATA[CATE returns to the big screen on February 9! Join us for the second half of our ten-year anniversary bash. We&#8217;re bringing in ten artists and curators over ten weeks, including Tirtza Even, Basma Alsharif, Steve Anker, Abina Manning, Laure Prouvost, Tomonari Nishikawa, Sara Ludy, Brent Green, Yvonne Rainer, and James Benning! Visit our Current [...]]]></description>
		<link>http://blogs.saic.edu/cate/cate-starts-feb-9/</link>
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		<title>Back in Feb 2012!</title>
		<description><![CDATA[CATE&#8217;s Fall 2011 season closed November 17 with the films of Amar Kanwar.  Thanks for coming out and thank you to all of our guests &#8212; Chris Sullivan, Matthew Buckingham, Laura Parnes, Bill Brown, Lee Anne Schmitt, Steina Vasulka, Rebecca Meyers, Luke Fowler, Gregory Markopoulos, Nicolas Provost, and Amar Kanwar. Our Spring 2012 season will [...]]]></description>
		<link>http://blogs.saic.edu/cate/back-in-feb-2012/</link>
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		<title>THE FILMS OF AMAR KANWAR</title>
		<description><![CDATA[Thursday, November 17, 6:00 pm &#124; Amar Kanwar in person! Image from THE SMILE (Amar Kanwar, 2007). Courtesy the artist and Marian Goodman Gallery, New York. Amar Kanwar&#8217;s films and installations offer incisive and meditative explorations of the political, social, economic, and ecological conditions of the Indian subcontinent. They are also formally inventive, synthesizing documentary, [...]]]></description>
		<link>http://blogs.saic.edu/cate/the-films-of-amar-kanwar/</link>
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		<title>NICOLAS PROVOST: LONG LIVE THE NEW FLESH</title>
		<description><![CDATA[Thursday, November 10, 6:00 pm &#124; Nicolas Provost in person! Image from LONG LIVE THE NEW FLESH (Nicolas Provost, 2009). Courtesy the artist and the Video Data Bank. With digital prowess and deft editing, Belgian filmmaker Nicolas Provost transforms clichéd Hollywood scenes into something altogether more alluring, mysterious, and occasionally, more grotesque. Long Live the [...]]]></description>
		<link>http://blogs.saic.edu/cate/nicolas-provost-long-live-the-new-flesh/</link>
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		<title>GREGORY MARKOPOULOS: ENIAIOS II</title>
		<description><![CDATA[Thursday, November 3, 6:00 pm &#124; Archival print! Introduced by film historian Bruce Jenkins and followed by audience Q&#38;A with Jenkins and avant-garde film scholar P. Adams Sitney (who will join us via Skype). Image from ENIAIOS II (Gregory Markopoulos, 1949-1991). Courtesy the Temenos Archive and the Austrian Film Museum, Vienna. Remembered as the &#8220;supreme [...]]]></description>
		<link>http://blogs.saic.edu/cate/gregory-markopoulos-eniaios-ii/</link>
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		<title>LUKE FOWLER: A GRAMMAR FOR LISTENING</title>
		<description><![CDATA[Thursday, October 27, 6:00 pm &#124; Luke Fowler in person! Image from ANNA (TENEMENT FILMS) (Luke Fowler, 2009). Courtesy the artist and The Modern Institute/Toby Webster Ltd. How one sees the world and how one hears it are the indelible questions underlying Luke Fowler’s startling, vibrant films. The award-winning Glasgow-based artist often collaborates with musicians [...]]]></description>
		<link>http://blogs.saic.edu/cate/luke-fowler-a-grammar-for-listening/</link>
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		<title>REBECCA MEYERS: BLUE MANTLE</title>
		<description><![CDATA[Thursday, October 20, 6:00 pm &#124; Rebecca Meyers in person! Image from blue mantle (Rebecca Meyers, 2010). Courtesy the artist. In her nimble, intimately-observed films, Cambridge-based filmmaker Rebecca Meyers illuminates the uncanny and exquisite in the everyday. lions and tigers and bears (2006) seeks out urban wildlife&#8211;from spiders and pigeons to bronze lions and chrome-plated [...]]]></description>
		<link>http://blogs.saic.edu/cate/rebecca-meyers-blue-mantle/</link>
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