An Interview with Peter Burr

During his visit to SAIC in this week, Peter Burr sat down with CATE Curatorial Assistant Nicky Ni for an interview about his background in painting and drawing, his iconic computer animation style, and his multimedia practice that spans from video, performance, to immersive and interactive game installation. NN: Could you give a brief summary […]

Peter Burr: Pattern Language

Artist and animator Peter Burr creates videos, performances, and video games that conjure virtual spaces and illusive patterns. Burr’s singularity not only resides in his mesmerizing moiré sequences but also in his aesthetic of privileging every crisp pixel. This program features a series of single-channel computer animations extracted from Burr’s expanded projects. Derived from Aria End, […]

On Margaret Tait

At the shady foot of trees Certain things grow, But at the foot of stone grow the sun-loving             wind–resisting short plants With very small bright flowers And compact, precise leaves. The wind whips the tight stems into a vibration, But they don’t break. — Margaret Tait, excerpt from The […]

Sep 27 – Margaret Tait: Poems and Portraits

Scottish film-poet Margaret Tait produced an exquisite body of work combining poetry, portraiture, music, ethnography, and animation. She studied filmmaking in Rome during the height of Italian neorealism before returning to her native Scotland in the early 1950s where she found inspiration in the contrasting daily rhythms of Edinburgh and the Orkney Islands. In an […]

Sep 13 – Stan VanDerBeek: Euclidean Illusions

Johannes VanDerBeek of the VanDerBeek Archive in person The visionary work of media artist Stan VanDerBeek spanned film, interactive television, expanded cinema, and computer animation. Introduced by Johannes VanDerBeek of the VanDerBeek Archive, this program focuses on his computer films, screening in newly preserved 16mm prints. VanDerBeek began experimenting with computers in the mid-1960s, as […]

On Hayoun Kwon

We are thrilled to present a screening of work by Paris and South Korea based multimedia artist Hayoun Kwon. Through animation and virtual reality technologies, Kwon bridges the realms of documentary and fiction to question ideas around borders, territory, memory, testimony, and reality itself. This week, we welcome School of the Art Institute of Chicago […]

April 5 – Hayoun Kwon: Films and Virtual Realities

Through a unique interplay of documentary techniques and animation technologies, the films and virtual reality projects of Paris-based South Korean artist Hayoun Kwon present new realms for history and memory. Biographical accounts of a Nigerian asylum seeker in Lack of Evidence (2011) and a South Korean soldier serving in the Korean Demilitarized Zone in 489 Years (2016) are mapped […]

On Stacey Steers

This week, we are excited to welcome back graduate student Julia Sharpe to write for us! Sharpe’s essay looks at Stacey Steers’ surreal films, which explore the inner-lives of women, meditating on fraught relationships, motherhood, medicine, and death. Whispering, dropping, digging, buzzing… A page peels back and a rose rapidly blooms and decays; the forest […]

March 2 – Stacey Steers: Edge of Alchemy

Bees swarm, a bat swallows a young woman, and eggs and orbs multiply against backdrops of flora, viscera, and pulsating night skies. Such are the surreal visions of Stacey Steers’ animated films, which she composes by hand from thousands of silent film stills and fragments of 19th-century engravings and illustrations. Over the last decade, she […]

On Jacolby Satterwhite

We are excited to welcome graduate student Caroline McCraw to write for us this week. In her essay, McCraw discusses Satterwhite’s body of work, which combines dance, 3D animation, and the family archive. Jacolby Satterwhite is a New York-based artist from Columbia, SC, whose multidisciplinary work explores identity and personal history through video, performance, animation, drawing, […]

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    About

    Conversations at the Edge is a weekly series of screenings, performances, and talks by groundbreaking media artists.

     

    CATE is organized by SAIC's Department of Film, Video, New Media, and Animation in collaboration with the Gene Siskel Film Center and SAIC's Video Data Bank, Conversations at the Edge is a dynamic weekly series of screenings, performances, and talks by groundbreaking media artists.

     

    Programs take place Thursdays at 6pm at the Gene Siskel Film Center (164 N. State / Chicago, IL / 312.846.2600), unless otherwise noted.



     

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