On Nathaniel Dorsky

We are thrilled to welcome graduate student George Olken to write for us this week. In his essay, Olken reflects on the work of Nathaniel Dorsky, whose films explore the relationship between cinema and the unknowable.  Nathaniel Dorsky captures silent images of the world, subtle shifts, beauty. His tools are deceptively simple: a 16mm camera […]

February 23 – Nathaniel Dorsky: The Dreamer

Since the early 1960s, Nathaniel Dorsky has been making extraordinarily beautiful films that blend a reverence for the sensual world with a deep contemplation of the mysteries beyond.  They are “occasions for reflection and meditation on light, landscape, time, and the motions of consciousness,” writes curator Steve Polta. Dorsky’s “photography emphasizes the elemental frisson between […]

On Wayne Boyer and Larry Janiak: Camera and Line

Tomorrow Wayne Boyer, Michael Golec, Associate Professor of Design History at SAIC, and Anne Wells, Collections Manager for the Chicago Film Archives (CFA) will join us at the Gene Siskel Film Center post screening for a round table discussion. This week Anne Wells of the CFA writes for us, reflecting on her personal relationship with the […]

October 1-Wayne Boyar and Larry Janiak: Camera and Line

Thursday, October 1 | Followed by a roundtable with Boyer, Michael Golec, Associate Professor of Design History at SAIC, and Anne Wells, Collections Manager for the Chicago Film Archives (CFA). Presented in collaboration with the CFA.  Chicago at midcentury was home to a remarkable group of artists who bridged European modernism, pop, and psychedelia in brilliant personal and […]

October 17 – Ghost Anthology: A History of Argentine Experimental Film

Thursday, October 17, 6pm | Curator Pablo Marín in person! Organized by Buenos Aires-based filmmaker and curator Pablo Marín, Ghost Anthology charts an eye-opening course through the last 40 years of Argentina’s rugged experimental film history, showcasing a collection of films rarely exhibited in the US. The movement exploded in the 1970s, just as the country came […]