On Le Révélateur

I am delighted to welcome Natalia de Orellana back to the Conversations at the Edge blog (see her previous contributions here and here).  This week, she writes about Le Révélateur and the ways their audiovisual performances work on the senses. In the audiovisual performances of Le Révélateur, sound and image are not in competition but […]

When Art Reveals Unspeakable Social Reality: Recalling Anna

This week for our SAIC student writing series Natalia De Orellana grapples with Massimo Sarchielli and Alberto Grifi’s Anna. She finds herself invested in the directors’ ethics, yet rebuffed by their use of their camera. “We preferred,” explained Grifi, “a movie about reality rather than undertaking the struggle to create a slightly less revolting reality.” Anna | Thursday, April 2nd | Introduced […]

On Mati Diop

For the final installment of our SAIC student writing series, Natalia De Orellana examines the boundaries between documentary and fiction in Mati Diop’s A Thousand Suns. She suggests that Diop creates a world where imagination and reality intermingle. Even as tougher immigration laws are proposed by European leaders–jeopardizing the long-gone fantasy of free movement–immigration has remained one of the principal worldwide […]