On VALIE EXPORT

We wrap up the Spring 2017 season this week with the work of Austrian performance and multi-media artist, VALIE EXPORT. Born Waltraud Lehner, the artist rejected her family and ex-husband’s name in 1967, adopting the nom de guerre, VALIE EXPORT, from a popular brand of cigarettes. VALIE EXPORT’s work spans the realms of video, performance, cinema, installation, and interaction, expanding […]

April 20 – VALIE EXPORT

Due to unforeseen circumstances, VALIE EXPORT will not be able to join us as previously announced. Curator and Professor Bruce Jenkins will introduce the screening with an in-depth overview of the artist’s career.  Among the most important artists of her generation, VALIE EXPORT has created a provocative and groundbreaking body of work that spans film, […]

April 13 – Wael Shawky: Cabaret Crusades

The rich and provocative work of Egyptian artist Wael Shawky uses film and performance to explore the complexities of national, religious, and artistic identity. With the three-part Cabaret Crusades, he restages the medieval upheaval between Muslim and Christian worlds with a cast of exquisitely crafted marionettes and score derived from Shia lamentation criers and traditional […]

On Jacolby Satterwhite

We are excited to welcome graduate student Caroline McCraw to write for us this week. In her essay, McCraw discusses Satterwhite’s body of work, which combines dance, 3D animation, and the family archive. Jacolby Satterwhite is a New York-based artist from Columbia, SC, whose multidisciplinary work explores identity and personal history through video, performance, animation, drawing, […]

On Lyra Hill

We are delighted to have graduate student Lara Schoorl help us conclude our spring 2016 season with some thoughts on artist Lyra Hill!  Lyra Hill’s work as an artist, curator, and performer expresses a deep engagement with place, whether that is a physical location or conceptual mindset. In her recent show at Conversations at the Edge, Hill used the conditions […]

April 21-Lyra Hill: Three Performances

Thursday, April 21 | Join us for Chicago based artist and curator Lyra Hill! Comics artist and filmmaker Lyra Hill produces spectacular performances that mix psychedelia with fantastic tales of self-discovery, the body, and the mysteries of nature. She uses multiple film projectors, looping audio effects, and pulsating hand-drawn images to create super-sensory environments of light, […]

March 17-shawné michaelain holloway: Extreme Submission

Thursday, March 17 | Join us to welcome dirty new media performance artist shawné michaelain holloway for a screening and discussion! In the last four years, Paris-based dirty new media performance artist shawné michaelain holloway has established herself as one of the most significant voices online. Her rhizomatic projects explore intimacy, power dynamics, and the technologies that […]

On Claudia Hart

This week I am delighted to welcome graduate student Veronica Sines to write on our final show of the fall 2015 season featuring Claudia Hart! Sines reflects on the complex virtual worlds that Hart has constructed throughout her career.  Since the late 1980s, Claudia Hart has used computer generated images (CGI) and 3D simulation technology […]

November 19-Claudia Hart: Simulisms

Thursday, November 19 | This week SAIC artist and faculty member Claudia Hart will join us for a live performance and a discussion!  Since the late 1980s, artist and SAIC faculty member Claudia Hart has used commercial CGI and 3D simulations technology to produce sensual and subversive works on identity, representation, and experience. In recent years she […]

On Martine Syms

This week I am delighted to write about Los Angeles-based ‘conceptual entrepreneur’ Martine Syms! Syms explores identity and the ways it is constructed, particularly blackness and black identity–through popular and everyday culture.  Martine Syms’s highly interdisciplinary and prolific practice explores the requirements and motives of individual and collective identities in contemporary Western society. Her work often interprets […]

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