. Conversations at the Edge (CATE)

On Louis Henderson

Tomorrow English filmmaker Louis Henderson will join us for his first Chicago appearance!   Video Data Bank‘s Lindsay Bosch blogs about Henderson’s references to the Internet and computing in his complex meditations on neo-colonalism and contemporary Ghana.   Most of video art I watch, I watch on my laptop.  I dream of creating a perfect screening space—uninterrupted hours, big […]

October 8- Louis Henderson: Melts Into Air

Thursday, October 8 | Paris-based filmmaker Louis Henderson in person! In his first Chicago appearance, award-winning director Louis Henderson presents a pair of films on the networked links between colonialism, computing, and capitalism in contemporary Ghana. In Lettres du Voyant (2013), a series of mysterious letters describe the practice of “Sakawa”—e-scams fortified by Western African religious rituals—and the possibilities […]

On Soon-Mi Yoo

An acrobat flies through the darkened hall, followed by two circles of light and a haunting soprano voice. The acrobat seemingly divides into two bodies that intertwine with each other as the music builds to a crescendo. Suddenly, one of the acrobats falls, we hear a startled gasp from the camerawoman, and the footage switches. […]

Mar 26 – Soon Mi-Yoo: Songs from the North

Thursday, March 26th | Soon Mi-Yoo in person! South Korea–born and Cambridge-based artist Soon-Mi Yoo’s debut feature is a nuanced look at political ideology and everyday life in North Korea. Winner of the prestigious Golden Leopard for Best First Feature at the 2014 Locarno Film Festival, the film interweaves biography (Yoo’s father fought in the war and […]

Special Preview: John Smith interviewed for Video Data Bank

A special preview of John Smith’s interview for Video Data Bank’s (VDB) ever growing On Art and Artists Collection, due for release late Spring 2015. In this interview excerpt Smith discusses, with VDB’s director Abina Manning, his film Shepherd’s Delight a film largely concerned with how context determines the reading of information. The Jarman Award winning artist presented his […]

On “The X-Ray of Civilization…”

I first encountered the work of David Wojnarowicz a few years ago whilst interning for the New York City based arts organization Electronic Arts Intermix (EAI). I had been asked to research his expansive practice for an upcoming panel discussion David Wojnarowicz: Motion Rhythms and was instructed that I would need to visit Fales Library […]

Special Preview: Carlos Motta interviewed for Video Data Bank

We are excited to present a short excerpt of Carlos Motta’s interview for Video Data Bank‘s On Art and Artists Collection, conducted by SAIC’s Art History Chair David Getsy. In this compelling interview Motta discusses his rich practice, major influences, and Queer and Trans theory in relation to contemporary artistic practices. The full interview is scheduled for […]

On Anda Korsts…

SAIC printmedia graduate student Amanda Sukenic takes the time to describe Anda Korsts as a feminist visionary who, along with many others, shaped the alternative media landscape of the USA on both a local and national level. Please join us this Thursday October 30th for a special survey of Korsts’s prolific career presented in collaboration […]

Oct 30 – Anda Korsts’s Video Metropolis

Thursday, October 30th | Followed by a roundtable with documentary filmmaker Judy Hoffman, Media Burn Archive Founder Tom Weinberg, and Executive Director Sara Chapman In the 1970s, Chicago journalist and artist Anda Korsts helped pioneer video as a radical tool for art and activism. A key figure in the guerrilla television movement, she worked on a series […]

Oct 23 – Cao Fei: Haze and Fog

Thursday, October 23rd | Cao Fei in person! Chinese artist Cao Fei mixes fantasy, documentary, and virtual reality to reflect on the ways China’s rapidly changing economy has transformed the everyday lives and imaginations of its citizens. Her latest film, Haze and Fog (2013) is a darkly humorous reinterpretation of the zombie film set in Beijing. Here the undead […]

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