On Edward Owens

This week, we are thrilled to present a screening of rare films by the late Chicago-based artist and School of the Art Institute of Chicago alum, Edward Owens (SAIC 1966-67). Owens, who was a native of South Side Chicago, made headway the 1960s New York City underground artistic scene with his beautifully crafted films that […]

March 22 – Edward Owens: A Portrait Study

In the mid 1960s, Edward Owens (SAIC 1966–67), a young African American artist from the South Side of Chicago, burst onto New York’s artistic underground scene with a series of strikingly beautiful films of heartbreak, queer desire, and his own family. With their layered images and flickering edits, the films show the influence of Owens’ […]

On “Projections, Portraits, and Picaresques”

Projections, Portraits, and Picaresques: Works by Mary Helena Clark, Mariah Garnett, and Latham Zearfoss screens the at Gene Siskel Film Center tomorrow, Thursday, April 23rd at 6pm. Mary Helena Clark, Mariah Garnett, and Latham Zearfoss in person!  Ouroboros—an ancient symbol depicting a serpent eating its own tail. Rather than requiring or demanding a space, this reworking […]

Apr 23 – Projections, Portraits, and Picaresques: Works by Mary Helena Clark, Mariah Garnett, and Latham Zearfoss

Thursday, April 23rd | Mary Helena Clark, Mariah Garnett, and Latham Zearfoss in person! Artists Mary Helena Clark, Mariah Garnett, and Latham Zearfoss (BFA 2008) self-reflexively play with portraiture and autobiography in a cultural landscape dominated by selfies and shifting social media platforms. In Home Movie (2012), Zearfoss engages with the contemporary urge to capture personal […]

When Art Reveals Unspeakable Social Reality: Recalling Anna

This week for our SAIC student writing series Natalia De Orellana grapples with Massimo Sarchielli and Alberto Grifi’s Anna. She finds herself invested in the directors’ ethics, yet rebuffed by their use of their camera. “We preferred,” explained Grifi, “a movie about reality rather than undertaking the struggle to create a slightly less revolting reality.” Anna | Thursday, April 2nd | Introduced […]

Apr 2 – Anna

Thursday, April 2nd | Introduced by Dennis Lim, Director of Programming at the Film Society of Lincoln Center Recently restored by the Cineteca di Bologna, this astonishing 1975 documentary centers on the titular pregnant, homeless 16-year-old girl whom filmmakers Alberto Grifi and Massimo Sarchielli encountered in Rome’s Piazza Navona. Mainly shot on then-newfangled video, it documents […]

On Rebecca Baron

I am delighted to welcome back Lindsay Bosch, Marketing & Development Manager of Video Data Bank, who this week writes on the lyrical work of Rebecca Baron. Founded at the School of the Art Institute of Chicago in 1976 at the inception of the media arts movement, the Video Data Bank is a leading resource in […]

Feb 26 – Rebecca Baron: Detour de Force

Thursday, February 26th | Rebecca Baron in person! Los Angeles–based filmmaker Rebecca Baron is known for provocative essay films exploring such far-ranging subjects as Britain’s Mass Observation movement, 19th-century Arctic exploration, and the role of recording technologies in shaping our understanding of the world around us. Her latest film,Detour de Force, introduces viewers to the incredible […]

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    About

    Conversations at the Edge is a weekly series of screenings, performances, and talks by groundbreaking media artists.

     

    CATE is organized by SAIC's Department of Film, Video, New Media, and Animation in collaboration with the Gene Siskel Film Center and SAIC's Video Data Bank, Conversations at the Edge is a dynamic weekly series of screenings, performances, and talks by groundbreaking media artists.

     

    Programs take place Thursdays at 6pm at the Gene Siskel Film Center (164 N. State / Chicago, IL / 312.846.2600), unless otherwise noted.



     

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